If you’re looking for live music of quality on an early Sunday eve, and a very eatable lamb burger downed with your favourite glass of bubbly whatever, Kalk Bay’s vibey hole in the wall Olympia Bakery gives space for about 50 people who end up pretty much knowing each other by the end of the two to three hour event. A small but adequate bar greets one coming off a side street where the chatty crowd spills out during the music break. This robust comradery, even among strangers, punctuates the sunset skies of this quaint Cape Peninsular village which overlooks fishing boats and fishy restaurants, antique shops, and outdoor markets.
Lively chats dim inside the dark entertainment hall as the featured artists take to the dimly lit stage. Singer and lyricist Marc Hendricks leaves his professional oncology duties behind to lead his exceptionally talented band through a range of very moving compositions off his debut solo album, ‘Upright Citizen’.
He’s been writing for over two decades now, supported by highly skilled fellow musicians in the jazz and classical genre. This Sunday gig saw him backed by fellow collaborator and album producer, vocalist/pianist Amanda Tiffin, drummer Frank Paco, bassist Shaun Yohannes, and guitarist Dave Ledbetter. This superb band deserves the best sound projection which still remains an issue in the small venue. It’s when Hendricks takes over the mic and can subdue the band with soft ballads that one hears his emotion-packed lyrics, stunning not so much in their delivery as in their messages.
This live gig kicked off with a ballad, followed by ‘Never Forget’ written for his father, followed by a reworked soft ballad ‘Beautiful Broken’ which speaks about the complexities of relationships, of being lost and found. As the evening progressed, Hendrick’s sometimes high falsetto voice tells one melodic story after another about events in his life. The venue’s sound system seems to get better. One hears different emotions: remembering a trip to Canada with his sister in “So It Goes”; a writing project with friends from France and England in “Running Away”; other love inadequacies in “Someone Leaves the Room”; then “Tear Drops” about his awful year of 2013.
When the break comes, one is already absorbed in this singer’s memoir of love woes. But are these woes his or mine, actually? I need some soothing. Where’s that small lamb burger?
As the second set concluded, I could only feel that this singer’s life had hit rocks, lows, and middle highs. If one listens to his CD, answers come that explain the perturbing, mellow, quizzical, and divulging messages in the lyrics. Ultimately, one tastes the truth, a common thread throughout this musical storybook, about betrayal, connections, and what makes for joyful resolutions. For this, the CD warrants a separate review by this writer on All Jazz Radio’s blog.
Slow Life, a creative music promotion initiative of Paul Kahanovitz, offers such engaging and poignant live performances using other venues around Capetown. But there’s a special vibe at the Bakery, a community spirit that holds its own, which can easily suck the unsuspecting into its creative space.
Check the Facebook page for upcoming events which promise purely authentic South African entertainment.