Toon Roos Quartet’s rag doll effect – a highlight performance at NAF 2016

Here’s a Dutch saxophonist who really made me just melt away like hot putty in my seat! At times, I wondered if I had died and gone to heaven. Toon Roos and his band looked like ordinary chaps who might play ordinary jazz. Nope. Roos’s own aura reverberated around the stage as he pulled off inventive, and sometimes quirky, arrangements to certain tantalizing American jazz standards that spoke about the important…..love…..

Toon Roos at NAF2016: CuePix/NAF2016

Toon Roos at NAF2016: CuePix/NAF2016

Known for playing lyrical and funky jazz that grooves to the moment, Roos took us on an escapade into unfamiliar twists and turns. “I Fall in Love Too Easily” spoke reality; Dutch bassist Hein van de Geyn, now an implant on South African soil, slid his bass lithfully into what seemed as hopelessness. I came out as a wobbly rag doll. “Straight No Chaser” displayed masterful arrangements, but “Body and Soul” turned a sleepy ballad on Roos’s tenor sax into another blanket-hugging rendition, again with Hein’s double bass solo exuding the mellow, the expressive, and always the gentle. As many musicians do, Roos wrote “Fading Star’ for a relative, his mother long passed, and offered a beautiful slow ballad in tribute. My dollishness was awakened with the last song by Roos boasting a happy and melodic Brazilian beat. Could improvisational jazz be any better?

Toon Roos Quartet: CuePix/NAF2016

Toon Roos Quartet: CuePix/NAF2016

Roos has played with the greats of Joe Zawinul, John Scofield, Toots Thielemans, Steely Dan, Ravi Coltrane, and Art Blakey. The list is endless. No wonder he’s also a funk master, having a vocal project with drummer Manu Katche who also plays with Sting and Joni Mitchell. Eleven years ago, Roos and his Quartet performed at Capetown’s North Sea Jazz Festival. The man has credentials, as do current band members. He’s been compared to Saxophonist Wayne Shorter by contemporaries, but Roos is really beyond comparison. I would fly to Europe to hear this man again, but more credentialed and less raggedy dollish.

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