The Bratislava Hot Serenaders and Bandakadabra, gig reviews at Edinburgh`s JBF

One is Slovakian, the other Italian, all high vibe, fun, and humorous, bringing period jazz dance music of 1920-30s alive under our festival tent. What a relief to have concerts with no loud electronic amplification. It didn’t exist back then! Both bands used only one mic. Bratislava`s 19 musicians presented a mix of Ellington Cotton Club songs current in that Harlem community, then moved us across the Atlantic to Slovakian tango and middle European dance music.

The age range of patrons attending this gig was hardly a curve, but rather a flat graph, my honest projection being about 85% of ages 60 plus. The sea of white heads and beards nicely matched the all- male band members` period black-tie costumes, lacquered hair styles, and manicured moustaches. Even the `girls`, the Hot Serenader Sisters who sang their rehearsed harmonies, standing close-faced at the one mic, added imagery to this period `live` documentary. It was indeed fun to watch what my parents had babbled about during my early growth years. The band unadornably played my favorites: Blue Moon, Moon Indigo, and Body and Soul.

With horns, reeds, piano, 3 violins, tuba and banjo all in firey sync, singers took turns at the one mic, sometimes thoughtfully pointing it towards instrumental soloists. I was waiting for them to break out into a Charlestown foot dance!

London`s BBC Dance Orchestra songs also featured. The very humorous renditions of the famous `The Broken Record` and the trumpeter MC`s `Hot Lips` left one laughing into Edinburgh`s rainy evening.

BANDAKADABRA provided a carnival atmosphere of 12 Italian brass, reeds, and drum players rumbling about the stage. Their slapstick humor mixed with period blues between the World Wars made for comic proportions as they banged out Balkan blues and Mediterranean marches. In white ruffled shirts, they acted out ineffective cat calls to the ladies unfortunate enough to sit in the front rows. These rumbling vagabonds truly awakened the kid in all of us without losing any authentic skills in delivering this timeless music.

These groups were such fun! I would go see them again anywhere.

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Filed under CD & Gig Reviews, Interviews with Carol Martin

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