She was a heartland of blues, pounded out with such elegant style and timing. A seasoned wheelchair-bound Naomi Shelton and her Gospel band with bassist/bandleader Fred Thomas (of James Brown band of 1970s) and her 3 Queens delighted her warm standing ovation audience at this year’s Edinburgh Jazz and Blues Festival. She sang off her latest album, Cold War, thanks to Daptone Records (2014).
I was taken back to the Alabama blues groove native to Shelton, based in New York city for the past half century. Shelton knows the stage, and her Gospel team, along with her husky voice, knows how to reach your soul and tell you “what you done wrong”, like in her visionary `Sinner`song. Her messages that evening of 17 July painted the demise of humanity and human betrayal in our contemporary world.
Edinburgh`s horseshoe shaped St Andrews Square venue provided cramped seating typical of vibey festivals like this one, but gave choice for tables and a bar in the back for the serious listeners/drinkers. At first, the sound system whined, drowning out Shelton`s voice, but got sorted in the end. Shelton was relentless, belting out an Etta James song, `Love Come Along`, which brought lip movements from head bobbing listeners. The `Child is Hungry` remembered the funky beats of the early James Brown.
She moved us to another level, breaking out into a clapping high tempo 4/4 time gospel. The audience moved.
Her finale got the Euro audience on their feet with the funky gospel swing in `Lord, I’m Your Child`.
There was compassion, and revival, and hope as she smiles and throws her kisses reassuringly to us unworthy listeners. Ninety minutes of Shelton pushes you to church in a still redemptive Baptist gospel tradition, yet with secular respect. It was hard to hear anything else that night, other than wanting more of this sanctifying blues!